


This result is absolutely not nice. The eye shadow I will now not necessarily to blame. It speaks for their quality. But I can not use them.
Have you tips for me?
your Elena
elena@ponyhuetchen.com
An all-new collection of artwork created for Claire Wendling French festivals, along with never-before-seen preliminary sketches, alternate versions and brand new images from one of today's most inspiring artists. Since 2006, Wendling has created the poster art for several local storytelling and music festivals. This book collects all the artwork for the festival posters and programs, plus so much more. Illustrated & designed entirely by Wendling. (Stuart Ng Books)
B. Krigstein Volume 2 begins with the artist's last group of comics, short stories for 29 Atlas editor Stan Lee that Krigstein used to explore the innate flexibility of the comics Form. "I was really writing messages and sending them to sea in a bottle, there. Those stories were my attempt at carrying out an object lesson of how comic stories could be broken down." Six of his best Atlas stories have been lovingly recolored for this edition by veteran colorist Marie Severin, and a checklist of Krigstein's complete comic-book work is provided.
The artist's five stormy years in commercial illustration are thoroughly examined, from his early advertising art, LP covers for Columbia Records, book interiors and jackets (notably The Manchurian Candidate and the novels of Joyce Cary), to his final work for American Heritage, Boy's Life, The New York Times, and The Saturday Evening Post.
Disillusioned with illustration, Krigstein attempted to return to comics by proposing several full-length adaptations of classic works of literature, including The Red Badge of Courage, Treasure Island, and War and Peace. The rejection of these avant-garde attempts at a graphic novel convinced him to leave the commercial field for good; in 1964 he joined the faculty of New York City's High School of Art & Design.
Finally settled into a secure vocation, he opened a Manhattan studio and set about creating a prodigious amount of oils, watercolors, pastels, and drawings until shortly before his death in January 1990. Color and black-and-white illustrations throughout (Fantagraphics)